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I'm looking for something a bit particular but I think there's quite a few out there that might be interested.
You: BBW/BHM couple. Chill, laid back. Kind of geeky. Lives alone or at least can host. You have semi-regular availability. Willing to chat about what gets us off, porn we like, celebs we think are hot etc. Maybe you like to show off and share in a judgement free zone. Lean toward geeky - video games (I'm not super into them but I could be persuaded), movies, food, beer, etc. Be into voyeurism, hotwifing, or full blown threesomes. Bonus points if he is bi (i'm an oral top and maybe more). 18-50ish? Preference for southern MA/RI/eastern CT as I'm in RI.
Me: 34/m. 6'4" light brown hair, blue eyes. Dad bod for sure lol. Shorter beard...sometimes glasses but usually contacts Kind of clean cut, outwardly conservative looking I suppose but a freak in the sheets. Discretion is a must for me. Average and cut down there but it gets the job done. Making/watching a woman cum is a huge turn on for me. I have plenty of pics myself and love to show off.
Hope to hear from someone soon! This could be a lot of fun with the right people. There is certainly not an exhaustive or complete list but let's get to know each other first ;) !
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2020.09.16 00:33 uncreativealtacct Free voyeur spycam

Hey there sex-positive people of Seattle :D
We are a 34/34 male/female pansexual couple looking for kinky friends & friends with benefits. We are primarily seeking ongoing situations, so if you are visiting from out of town, cheating, or only interested in one night stands please skip over us.
As far as some of our non-sexual interests. She is into Olympic lifts and we have been slowly building a home gym (gym buddies would be fun!). We both enjoy playing board/video games, cooking, reading, interesting conversations, concerts, psychonaut adventures. What are some things you're passionate about?
As far as what we are looking for in regards to potential FWBs. Generally we are looking to find males who are interested in exploring sexual experiences centered on sharing her. This shared play could take on a variety of forms, some rough ideas include: threesome, exhibitionist/voyeur play, free-use, competitive sexual games, exhibitionist/voyeur play over text, bull/hotwife play, but not limited to those. We are primarily seeking those who enjoy playing with different social dynamics as it pertains to sex. Do you have any social sexual dynamics that you have enjoyed or are interested in exploring?
Thanks for your interest. Stay safe out there Seattle :)
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2020.09.12 13:19 AWickedMind [M4F] A Little Black Book Of Wickedness

(Long wall of text ahead. If you're interested in finding out my prompts, skip to the last section.)
“One does not become enlightened by imagining figures of light, but by making the darkness conscious. The latter procedure, however, is disagreeable and therefore not popular.” (Carl Jung)
The human mind is a curious thing. It wants what it doesn't need. It craves what it doesn't have. It creates instincts which, if acted upon, result in nothing but total destruction of the self, and all that it holds dear.
And yet, these desires exist and arise out of nowhere. Why does something happen when there's clearly nothing good to be gained out of it? Why does the primal core of our being want what cannot be achieved in a decent, civilized society? Why do we feel a burning desire to give in to our basic instincts if we could never act on them?
Any person living in a civilization will tell you that these instincts must not be acted upon for the greater good - peace and stability in society as a whole. I fully agree with them. I absolutely do not condone the themes I post in my prompts to be acted upon in real life.
What brings me here? To have a safe avenue for exploring these fantasies.
I want to explore the what ifs that keep you awake at night, and make for intriguing dreams, to say the least. Some of them may be dark, criminal even, that you'd be ashamed to accept even to yourself that you're capable of fantasizing about something like that. Some of them maybe immoral, something that society would crucify you for if you were to come out accepting it. Some of them maybe just plain absurd, things that could never happen to you, either because you aren't, and will never be, in such a situation of life.
What am I looking for? Creating stories. Experiences. Fantasies.
I want a partner who is, first and foremost, interested in writing long term stories with me. This will proceed in the form of a roleplay, with you controlling your character(s) and I controlling mine. I tend to focus on the characters' internal world a lot, so expect plenty of internal thoughts and dialogues along with a description of their ever changing emotions. I expect my partner to reasonably reciprocate.
I also tend to take the world building more on my own shoulders, and don't really mind doing that. Partners are always welcome to add their own thoughts and contributions, and in fact are encouraged to do so. But even if you simply want to sit back and enjoy the ride, be my guest. All I ask is for you to give me a window to your character's soul - let me know what they're thinking, feeling, seeing, hearing etc.
Things to know about my writing style: I tend to write about 3-5 paragraphs per response, changeable according to need. I'm not picky about using first person or third person. My prompts tend to default to a third person writing style, but feel free to ask for a change if you have a different preference.
I don't like writing for my partner's characters, and expect the favor to be returned.
At times I may respond rather quickly, shooting multiple messages back and forth in a single day. At times, I might get busy with work and may not be able to reply for a few days. Please be patient; if we have started an interaction I won't leave you hanging without a response indefinitely.
Also, I may post the same prompt multiple times, even though I've already found a partner. To all future partners with whom this may happen - that is NOT, in any way, a sign that I'm not satisfied with our current RPs. I value your efforts and your company, and don't mean disrespect to you in any way. My prompts are usually quite open ended, such that with each interpretation it tends to take the story in a completely different direction, and so finding another partner is as good as finding a partner for a new story altogether, and not because I'm not enjoying our current story.
Last but not the least - I DO NOT GHOST. If there's ever a problem, be it within the RP or the story's direction, or any personal reasons due to which I need to stop writing to you, you'll hear back from me atleast one last time saying I need to go.
The type of characters I like to play: I generally like to play characters in their late twenties or thirties, although I can change it if the scene demands. I tend to be self indulgent, and my characters can sometimes reflect that, in the sense that you'd be hard pressed to find flaws in them. But that's not to say they're without any flaws, simply that they won't be aware of how arrogant or rude they might come across as.
My characters will be intelligent, sharp, and with a keen sense of the world around them. They don't expect the world to bend over backwards for them, but they don't shy away from getting what they want either. They have a realistic sense of how the world works. They don't expect a girl to fall head over heels in love with them just because they flashed a charming smile or wore a designer suit. They want to get in her mind first before getting in her pants.
Some other characters may be darker, and not-so-gentlemanly if the scene calls for it. These will usually be thugs, the scum of the society and on the wrong side of law. As such, they'd hardly care about being politically correct or being 'nice' to your character.
Please note that regardless of my character's actions, I'd never want you, the person behind the screen, the person typing out the words, to ever feel slighted or wronged. If you ever feel something is crossing a personal limit, please bring it up. I assure you it won't be out of malice, maybe just an oversight.
Some random thoughts: On keeping things interesting without being boring and repetitive
On using visual aids to enhance the writing experience
On writing a good submissive character
Kinks and limits: My biggest kink is showing off my large sex organ. The largest you'll ever see. So large you won't be able to take in all the things it can give you. You're gonna be overwhelmed with all the feelings its gonna make you feel! It is....
The brain.
Human mind is the biggest, sexiest, and kinkiest sex organ in the world, might as well make use of it.
My biggest priority would be to create worlds that excite you. Something vanilla for one person may not be as vanilla for another, and this nuance is very important to understand. I try my best to give my partners exactly what they want in terms of characters, worlds, emotions, kinks - you name it.
But for material purposes, here's a typical list of what I'm into and not into. Its a lot of things, possible non-exhaustive, and just a big collection of everything I know about myself. Not every kink needs to be incorporated into an RP, ofcourse. Besides, if you have something in mind but don't see it here, just ask.
Kinks :
Gentle : sexy lingerie, sexy outfits, living the high life, luxury, smooth talking, dirty talking, flirty banter, sexual vibes, risky public play, exhibitionism, voyeurism, gentle lovemaking, missionary, whispering sweet nothings, handcuffs, blindfolds, eating you out, blowjobs, caresses, cuddles, hugs, kisses, pampering you, aftercare, ice creams, chocolates etc.
Not-so-gentle : spanking, rough sex, doggy style, anal(giving), rimjobs (giving and receiving), hair pulling, breast play, ass play, cock worship, body worship, large cocks, deepthroat, facials, cheating, cuckolding, bondage play, threesomes (MFM and FMF) etc.
Ouch!: butt plugs, vibrators, toys, slapping, collars, leashes, metal chains, orgasm denial, forced orgasm, double penetration, full nelson, pet play, slave play, D/s M/s dynamics, total power exchange, blackmailing, dub-con, non-con, kidnappings, knife play etc.
Maybes :
Spitting, piss play, extreme torture, incest etc.
Hard Limits :
Scat, gore, bestiality, underage characters, vore, lasting damage etc.
Previous prompts and ideas: A harmless fantasy gone too far : You've wanted an escape from your boring, monotonous life and you create an anonymous account to live out your fantasies. But its not enough for you, and now you want to take it one step further - you want to meet the man behind the screen.
Its such a small world after all
An extension of the above idea, but when you finally meet the man, he's someone you know!
Who in their right minds sets up an appointment with their rapist!?
You were raped, but you loved it. He left his number with you almost as a taunt, but you can't help wanting to set it up all over again.
You're on your way to the top in Hollywood, but not without hitting a few lows
You're a college student and you receive an unexpected response to your application for a modeling role. You're obviously very excited about your career. Little do you know the producers have very different ideas for what career to push you in.
Sub at first sight
When you know, you know.
Every high functioning person needs a break at times. You've got an awesome career, you're in charge of a group of people, you make decisions for your teams all day long. Wouldn't you just want to sit back, relax, and let someone else run the show every once in a while?
A sense of belonging
Some relationships take a lifetime to build. Some, merely a glance. Your relationship with him can't be expressed in words. It's simply a feeling you have whenever you're with him, a sense of belonging that just can't be shaken off.
An unexpected guest at a wedding
You had left the old life behind you. You had severed all connections, erased all memories that would take you back to him. Why, oh why, did he have to show up at your wedding of all places!
Only under a mask are we free to be ourselves
Your life has come to an unexpected standstill. You're supposed to be happy, you should feel good about having a loving, caring husband, but you just don't. Luckily, your friend has a solution for you - this masquerade party where you could afford a night of debauchery while remaining completely anonymous!
Love makes the greatest fools out of us
You love him more than your own self. Your heart breaks to see him in trouble. You'll do anything to help him, go to any lengths to protect him. Even if it means giving yourself away to one man you hate the most.
Being a spy is not an easy job!
You're on a secret mission. There's supposed to be a party you're going to attend, with the celebrity status you've cultivated for yourself under cover. Little do you know, your enemies are one step ahead of you and are already expecting you.
What a great first day at work
You're doing porn for the first time in your life. Your co-star is famous for his rough and brutal scenes, and stories of just how badly his co-stars are usually bruised have left you on edge the whole week. However, just before the shoot starts, you're in for a rather sweet surprise from him!
A good girl gone bad
You were sweet, shy, and innocent. No one could raise a finger at you when it came to questioning your morals. How then, did you go from that girl to the kind who sleeps around and freely expresses her sexuality without a care in the world?
A class apart
You've always had a thing for the finer things in life, be it jewels, cars, or houses. Why would you hold back on your job then? Ofcourse you'd sign up for the most exclusive, sophisticated, and elegant whore house that exists in the modern world! But be warned, its not that easy to get a job with them, they've got a very strict set of standards to uphold their reputation!
The newest craze in social media apps - FukPix - is here!
Since the rise of social media, social tolerance for posting revealing pictures of yourself up on the internet for the whole world to see has steadily gone up. Was it any surprise then that someone made an app specifically to share your sexual escapades, and it was taking off like crazy?
The most effective strategy to get over someone
It's your wedding anniversary, and your husband had to pick up a fight with you on this very day! Your mood is ruined, but you won't let that bastard spoil your whole day. You were gonna dress up and give him a good time tonight. You're still in the mood for sex. So what if it won't be your husband who gets to enjoy it?
The correction officer
There exists a special group of people, whose job it is to correct wayward girls and bring them to their senses. Only the rich and affluent can afford them. Luckily for you (or unluckily?) someone close to you has decided your behavior needs to be made more 'lady like', and has invited the correction officer to work on you.
Someone out there wants revenge, and tonight they're gonna get it
You pissed off somebody. Badly. So much so that they laced your drink at the party, and made sure you'd find yourself in their basement when you wake up. What plans do they have for you?
What makes a happy housewife, really happy?
Doing all the little things for your husband, ofcourse, but not because he likes it. You don't want him to have any suspicions, and you'd rather keep him docile with happiness than alert with suspicion.
Porn isn't what its supposed to be, let's change that
Porn glorifies violence and aggression far too much, and this needs to be changed. Lucky for you, your partner thinks the same way and wants to make a difference in the world, with your help ofcourse.
You've been abducted, but your father is no Liam Neeson!
Just as the title suggests. You go to a different country on a vacation, and end up getting abducted. What's going to be your fate now that no ex-special agent is coming to rescue you?
Cult of Colossal Cocks
The world is controlled by a cult of men who are gifted phenomenally, and the cult needs special women to take care of their men's libido. Are you brave enough to satisfy them?
It's not what you know, but who you blow
Stuck in a dead end office job with no prospects of progress, you realize the only way up is by going down...on your boss, his friends, his colleagues, whoever he wants!
submitted by AWickedMind to AdvancedLiterateRP [link] [comments]

2020.09.11 18:27 InnocentStrippers Voyeur spycam free

OK I'm already prepared to get downvoted and flamed for this, but hopefully just ONE person actually takes the time to read and consider what I'm about to say.
I've seen a lot of posts about "how can I report x and y for violating social distancing," etc. And I get it. I get that we are in a pandemic, and I get that people are scared, I get that some people are/have family that are immunocompromised, and I get that those are the rules put forth by the university.
HOWEVER, enough. Enough with the self-righteousness and creepy voyeurism of photographing people and reporting them. Enough with the "how can they be so selfish"- here's how: people haven't socialized properly in six months and have had their college experience taken away from them. That's how. Is it right? Probably not. Is it understandable? Yes. Is it your business? No.
You are not going to stop an outbreak at this university by reporting one group of people, because there are dozens of other groups just like them that have made the choice to not socially distance or follow guidelines. It's time for everyone to accept that none of this is in our control, and that means letting people make their own choices and mistakes. Your UPD report won't change anything in the grand scheme of things.
Now I know people are gonna say "but people committed to certain rules when they moved on campus"- and you're right, they did, and they shouldn't be violating those rules. However, how many of you have been in possession of alcohol on campus underage, smoked weed on campus, violated an academic honesty policy, etc? Those are rules that are always in effect. Let's be brutally honest with ourselves here. If you're so adamant about "following the rules", take a good hard look at your own behavior first.
Just- just stop being such self-righteous kindergarteners. It's great that you feel superior because you're following the rules. But just stop this tattling. Everyone here is going through a hard time, no one wants this semester to be this way, and everyone is trying to find some semblance of normalcy right now. Not everyone who isn't following guidelines is the enemy. They're just people trying to get through this, just like you.

EDIT: Before you decide to inform me that I'm a scum of the earth party kid- I'm not. I'm just one of the many people who have been socially distancing, wearing a mask, following protocol, but also haven't spent my free time policing others and just praying for the best. Everyone's eagerness to assume the worst proves exactly what I said about self-righteousness.
submitted by InnocentStrippers to BinghamtonUniversity [link] [comments]

2020.09.09 17:15 nick-a93 Abused and groomed online via webcam - realizations

I want to share my story. I'm mid 20 year old male who grew up online. I have a great family who has always taught me right vs wrong. However, when I was 11 years old, I found my way onto AIM chat rooms and started chatting with a "female" in her 30s.
I remember chatting with this person often. Being excited when my parents would leave the house or go to the other room so I could masturbate for this person on camera. I remember not even being able to ejaculate because I was so young. I know they exchanged photos with me. I have a feeling they shared abusive photos with me which to me at the time were kids my age. I never realized the damage it caused me until recently.
It led me down the path of a destructive porn addiction. For the past 2 years, I've been trying to get this under control. And ultimately, some things made their way into my real life like voyeurism. This led to a lot of shame and guilt which I live with. About 3 months ago, I was living with my now ex-girlfriend. We decided to do mushrooms for a second time with some friends. At one point, I went into our kitchen and everything got very dark. The guilt of me looking at someone without their consent consumed me and my guard was completely shattered. My emotions hit me. I couldn't tell my GF at the moment because she didn't know about anything and her friends were there. I told her the following day about everything and she was very supportive. The mushroom trip changed my entire life, I really couldn't believe it.
Fast forward to now. I had been jumping from therapist to therapist until I found one who I really like. At $200/session, it's a lot but I know it's what's right. My ex broke up with me last month and I moved out. It was rough. I realized that my stress, anxiety, stubbornness, and reaction are all due to my self-hatred caused by my addiction and abuse. I also realized, I was putting so much unnecessary stress on myself. So I left my job, started to take care of myself, and have been porn and masturbation free for 3 months now. This hasn't been easy. I definitely miss the support of a significant other.
I am now at the point where I want to make others aware of the abuse that plagues the internet and the world. The cycle is endless. It's happening daily and I've seen others on here talk about how it's affected their lives. The blackmail, fear, and harm it continues to cause. I have told my family about most of my story. And I want to share it with everyone I can because I think people turn a blind eye to it.
Anyways, thank you to everyone on here sharing what you're going through. This stuff isn't easy. I am so grateful to be facing it at this age. I have a lot of love to give and with the changes I'm making, I'm looking forward to the future.
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2020.09.09 04:33 Shagrrotten Voyeur free spycam
By Roxana Hadadi
“Why go on? Why keep trying?”
Our world is not enough.
For centuries, we have longed for space—to immerse ourselves in its vast expanse, and to lay claim upon it. “It is a beautiful and delightful sight to behold the body of the Moon,” Galileo wrote in 1610. The partner to fascination is obsession, and so much of the cinematic exploration of space has been situated in the gap between those two poles of feeling. James Gray’s meditative, gorgeous “Ad Astra” is an exemplary entry in a long line of films (“2001: A Space Odyssey,” both versions of “Solaris,” “Contact,” “Sunshine,” “High Life”) which explore whether it is bravery or hubris that sends us outside of our own world. The way to make sense of something incomprehensible is to assign structure to it, to organize it, to control it. Hence the symbolic value we assign to extra-planetary service, and the tension that results between that rigidity and the immense mystery of what awaits us past our earthly border.
In James Gray’s “Ad Astra,” released just almost a year ago, Brad Pitt’s Major Roy McBride is perceived as the ideal American patriot. He spent three years in the Arctic Circle, a combat zone. He excelled during his career with the U.S. military’s Space Command (SpaceCom). His jawline could cut glass. And yet practically everything about Roy McBride is artificial, a facsimile of sincerity. He secretly sneers at colleagues who revere him. He is repulsed by the corporatization of discovery. His father, renowned astronaut H. Clifford McBride (Tommy Lee Jones), has been missing for most of his life, and Roy has lived in his shadow ever since. McBride left Earth as part of a U.S.-led project to prove the existence of intelligent extraterrestrial life, and Roy grasps at his memory as a saving grace. His father stood for something, and so Roy must too. “I will not rely on anyone or anything. I will not be vulnerable to mistakes,” Roy promises, but how lonely an existence that must be. How impossible to maintain. In “Ad Astra,” Roy travels to the stars to find his father—but what he finds, more meaningfully, is the strength to let him go.
“Space I understand.”
An intertitle at the beginning of “Ad Astra,” the font blood-red against a black screen, announces “THE NEAR FUTURE, A TIME OF BOTH HOPE AND CONFLICT. HUMANITY LOOKS TO THE STARS FOR INTELLIGENT LIFE AND THE PROMISE OF PROGRESS.” There’s a thin line between our reality and that of “Ad Astra,” and it’s a purposeful muddling on Gray’s part. The progress in this world’s exploration of our solar system is significant, but not unattainable. We recognize the possibility presented in “Ad Astra,” and can imagine ourselves inside it. And so too is it easy to accept the handsome authority of Major Roy McBride (Pitt). At first, his pledge in fealty to SpaceCom seems admirable.
“I am ready to go. Ready to do my job to the best of my abilities. I am focused only on the essential to the exclusion of all else. I will make only pragmatic decisions. I will not allow myself to be distracted. I will not allow my mind to linger on that which is unimportant. I will not rely on anyone or anything. I will not be vulnerable to mistakes.”
But Gray cross cuts Roy’s professional vow with the evidence of its toll: his retreating wife, Eve (Liv Tyler), who with barely any dialogue communicates to us her feelings of abandonment. Although her outline is fuzzy, as if Roy never really saw her at all, the sound of her keys being left on the counter of the home they once shared is definitive. Hurt people hurt people, and Roy McBride is a hurt person. Traumatized by his father’s absence, he has compartmentalized away nearly all emotions—a flaw in his personal life, but a benefit for the demands of SpaceCom. He is infamous for his reliably low pulse rate, even during emergencies, and commended by his colleagues for his calmness. Regularly scheduled psychological evaluations, in which Roy spills his feelings into a portable transmitter and waits for approval from a faceless voice to continue with his work, determine his mental fitness. His admissions are always blandly expressive, and the okays to proceed are always immediate. The rigorous training required for his SpaceCom position, and how thoroughly he has set himself apart in nearly every way, has turned his elitism into a festering wound. His poster-boy image has a toxic-masculinity edge, and he knows it: “I see myself from the outside. Smile. Present a side. It’s a performance, with my eye on the exit. Always on the exit.” People are impressed by him, and he can’t stand them. “Just don’t touch me,” he thinks to himself when presented with a cheering room of colleagues. He grins, and the gesture doesn’t reach his eyes. “Take care, Major. Be careful,” someone warns before he steps out for a space walk, and his “Thanks for that” reply lacks any affect at all.
“I always wanted to become an astronaut for the future of mankind and all. At least, that’s what I told myself,” Roy admits, and the admission carries a jagged sarcasm, and a blunt candor. At first, Roy’s resentment of his career and its myriad obligations feels mundane, but juxtaposed with his presence among the stars, his disinterest takes on a sort of subversion. To experience the singularity of no longer being on Earth, but outside of it, and to still be unfulfilled—that displeasure undermines so much of what we expect from this genre, and what space cinema normally imposes on us about the specialness of these people. Imagine Tom Hanks in "Apollo 13," or Sandra Bullock in "Gravity": Would either of those heroes disparage the astronaut experience like this? Still, Roy goes through the motions, and he does them well. When a catastrophic power surge hits the International Space Antennae on which Roy is performing maintenance, electrocuting numerous people, setting off explosions in the upper towers, and thrusting the station into chaos, Roy springs effortlessly into action. He literally flips a switch to stop the chain reaction. When he tumbles backward from the antennae toward Earth, he has the presence of mind to maintain communication with colleagues on the ground, offering technical commentary the whole way down: “Control—McBride. I’m in a spin. Atmosphere’s too thin to stabilize. I’m trying to keep the tumble down, so I don’t black out. Control, do you read?” The fall seems to last forever, and we stay with Roy as he plummets steadily toward his death until he manages to flip over, deploy his parachute, and steer himself to the ground even as debris falls around him. When people run out to offer assistance, he doesn’t meet their eyes. “‘A self-destructive side,’ that’s what she used to say to me,” Roy says, alluding to Eve without saying her name. “I should feel something. I survived. I should feel something.” Roy’s unlikely escape is the stuff of immediate legend, and his actions save lives. But is either of those enough to make him a human being?
“We are world-eaters. If my dad could see this now, he’d tear it all down.”
The electrical storm that nearly killed Roy, SpaceCom explains to him in a classified briefing, is part of a series termed the Surge. The phenomena are destructive, wreaking havoc across the globe and leaving tens of thousands dead, and their origin is outer space. Esteemed SpaceCom astronaut H. Clifford McBride had a son he left on Earth, who grew up to be Roy. And H. Clifford McBride had a project he devoted more decades of his life to than he did his family, and that project was the Lima Project—the first manned expedition to the outer solar system, tasked with finding evidence of intelligent life outside of Earth. Into the great unknown the elder McBride traveled, certain he would return with secrets as yet undiscovered, and the younger McBride has been intermittently exalting him and cursing him for it ever since. Building himself in his shadow; struggling to live up to an impossible ideal of a man 29 years gone and 16 years disappeared. So when Roy learns that Clifford is still alive near Neptune, firing off surges of antimatter that are causing the Surge and might destroy the planet he left behind, it’s a revelation that upends everything he thought he knew about his father, and about himself. There is a lifetime of pain in Roy’s “My father’s alive, sir?”, more emotion exhibited in those four words than during his entire tumble from space to Earth. And yet when SpaceCom asks for Roy’s help in reaching Clifford, believing “a personal plea from you to your father might elicit a response” and asking him to travel to the Moon, then Mars, and finally to Neptune to try and communicate with Clifford, Roy’s skepticism is clear in his shifting eyes, in the slight pause before he agrees. “‘Are you with us?’” Roy growls mockingly, repeating SpaceCom’s request. “Like I have a choice.”
Clifford’s survival unsettles Roy, his father’s seemingly reckless use of the dangerous antimatter unnerves him, and the two reveals open up a schism between what Roy thought he knew about Clifford, who SpaceCom has immortalized for decades as a lost hero to discovery, and what Roy feels about the world around him. “My father was a pioneer,” Roy seethes in voiceover when SpaceCom dares to suggest that Clifford could be operating his own agenda. In contrast, Roy seems to wonder, are these people worth saving? An archived message from Clifford to Roy 27 years ago paints his father as a godly man, a loving husband and father, an optimist who is appreciative for the international attention in the Lima Project, an explorer convinced that he will be the person who finds intelligent life. “We know we will,” Clifford emphasizes, and Roy is visibly overwhelmed watching the clip, blinking back tears.
But Roy is reminded by his father’s former colleague, Col. Thomas Pruitt (Donald Sutherland), who will accompany Roy to the Moon, that he never really knew who Clifford. Roy was a child when Clifford left (flashbacks rendered in grainy film show a tousled-haired, cherubic-faced young boy, burying himself in a hug from his faceless mother while gazing up at the sky), and Clifford was an idol. With every new revelation that Clifford might not be who Roy thought, the son is forced to reassess his own life, too: his own priorities, his own pettiness. “A voyage of exploration can be used for something as simple as escape,” Pruitt cautions Roy, not knowing that this warning applies to the son as well. “It’s dangerous business, as we know. Best not to subject others to it,” Roy had said of why his career caused his separation from Eve, presenting himself as a man more committed to the SpaceCom cause than to his own family—perhaps closer to Clifford than he thought. And after Roy and Pruitt journey to the Moon, the former is disgusted by its commercialization: by the $125 cost for a blanket and pillow pack on the flight, by the slogan “Earth’s Moon: Where the world comes together,” by the DHL and Subway locations on the base. “All the hopes we ever had for space travel covered up by drink stands and T-shirt vendors. Just a recreation of what we’re running from on Earth,” Roy complains in a voice little bit like Tyler Durden’s. No place is safe from humanity’s corruptive influence, Roy believes. The only hope is the intelligent life that Clifford has certainly found through the Lima Project, which might present a way for humanity to start again. A chance for people to do it right.
In this divided state, Roy moves forward toward reunion. Perhaps paradoxically, the increased distance away from the Earth he seems to loathe makes real for him the facets of humanity he hadn’t previously considered. On the Moon, when his and Pruitt’s convoy is attacked by pirates and Roy has to commandeer a rover to drive them to safety, he notices a photo taped to the display by their now-murdered escort—a wife and child, hereafter missing their husband and father. Roy endured that too, and he knows the life-shattering pain this death, caused partially by his presence in this place, will cause. Once Pruitt is injured and Roy realizes he must continue the journey on his own, he feels a pang of sympathy for the man his father called a traitor (“Why does he still do it? Why can’t he just let go?”), and his look back to where Pruitt sits slumped is the only time we see Roy turn around rather than move deliberately forward. On Cepheus, the ship taking Roy to Mars, he disagrees with but ultimately admires the captain’s willingness to respond to a distress call, and then regrets the man’s death after he is attacked and killed during that deviation. As the rest of the crew prays over the captain’s body, he observes them quietly, their faith a fascination. “They seem at ease with themselves. What must that be like?” he muses. Roy has never known.
“Most of us spend our entire lives in hiding.”
After Pruitt’s injury, he shares with Roy a secret communication from SpaceCom that makes clear their intentions. They don’t trust the younger McBride, believe that Clifford purposefully endangered the Lima Project crew and “may have lost all control,” and are unsure whether Roy’s personal messages to Clifford will sway him. “What happened to my dad? What did he find out there? Did it break him? Or was he always broken?” Roy wonders, and his desperate desire for connection pushes him further away from the cold, calculated man he once was. After the Cepheus captain’s death, he is more truthful with his psychological evaluation than he’s ever been.
SpaceCom: “Are you ready for your psychological evaluation?”
Roy: “I am on my way to Mars. We answered a mayday call, and it ended in tragedy. We lost the captain.”
SpaceCom: “Your answer is being processed. Please continue.”
Roy: “Well, that’s it. I mean, we go to work, we do our jobs, and then it’s over. We’re here and then we’re gone.”
SpaceCom: “Please describe how the incident itself affected you.”
Roy: “The attack. It was full of rage. I understand that rage. I’ve seen that rage in my father, and I’ve seen that rage in me. Because I’m angry … that he took off. He left us. When I look at that anger, if I push it aside, I just put it away … all I see is hurt. I just see pain. I think it keeps me walled off, walled off from relationships and opening myself up and, you know, really caring for someone. And I don’t know how to get past that. I don’t know how to get around that. And it worries me. And I don’t wanna be that guy. I don’t wanna be my dad.”
During this admission of self-doubt and self-hate, Gray makes us simultaneously a witness and a voyeur. Switching the perspective between a head-on close-up of Pitt’s face and a profile shot from over Pitt’s shoulder, with starlight illuminating Pitt’s individual eyelashes and the oceanic green of his eyes, Gray gives us the clearest view of Roy’s individuality, and the grief he carries. Shockingly, Roy’s unprecedentedly unrefined evaluation is approved, and it sets in motion the trauma Roy will increasingly voice. In the brutalist Ersa Research Station on monochromatic, pockmarked Mars, after delivering first a bland SpaceCom-approved communique that is ignored by his father, after admitting to himself “I don’t know if I hope to find him or finally be free of him,” Roy deviates from the script.
“Dad, I’d like to see you again. I recall how we used to watch black and white movies together, and musicals were your favorite. I remember you tutoring me in math. You instilled in me a strong work ethic. ‘Work hard, play later,’ as you said. You should know I’ve chosen a career that you would approve of. I’ve dedicated my life to the exploration of space. And I thank you for that. So, I hope we can reconnect. Your loving son, Roy.”
The effort this message takes is clear, from the gaps Roy leaves between his sentences as he searches for the next one to the tears held back in his eyes, and SpaceCom’s repudiation is swift.
“Your personal connection has made you unsuited for continued service on this mission,” they inform him, punishing him for the honesty Roy dared to admit, barring him from continuing onto Neptune, and failing his next psychological evaluation. Trapped in a “comfort room,” Roy’s fractured mind is ironically underscored by the videos of birds, bees, ocean waves, chrysanthemums, and grass projected onto the walls. With Roy so far from Earth—and unsure of whether he even believes Earth is worth yearning for—what relief can these images provide?
For Helen Santos (Ruth Negga), though, the director of Ersa Research Station, those images of Earth’s nature are a reminder of her one visit to her parents’ home planet, and an exemplification of everything Mars cannot sustain. The atmosphere is inhospitable. Helen and the other research station staff live underground. Her longing for another life is genuine, her isolation in this place is palpable, and her connection to Roy is another shock to him. Her parents were crew members on the Lima Project, and H. Clifford McBride killed them. “We will not turn back. We will venture further into space. We will find alien intelligence. I am forever driven on this quest,” Roy watches his father assert in a video clip after admitting to turning off life support for his crew, both mutineers and otherwise. Everything Roy thought about Clifford was a SpaceCom cover-up, and every way in which he’s molded himself after his father’s legend has been the result of a lie. As Roy holds the transparent tablet, watching Clifford’s manifesto of discovery at all costs, Gray layers the faces of father and son on top of each other, making them nearly indistinguishable. Only Roy’s sob at realizing the depths of this deception disturbs the synchronizing effect.
“I am alone, something I always believed I preferred. But I confess. It’s wearing on me.”
With the additional knowledge provided by Helen in his possession, Roy is activated once more by the same humanist inclinations that have increasingly guided his recent actions. “I will deal with him. I will deal with my father,” he swears, and his certainty in that moment has an emotional edge missing from his past behavior—a sincerity he previously lacked. He accepts Helen’s help to stow away onto the Cepheus, now making its way toward Neptune to deploy a nuclear weapon against his father. In a stunning sequence, Gray moves us inside and outside of Roy’s field of vision: We follow him as he disappears into the pitch-black water of an underground lake, are alongside him in his helmet as he breaks through layers of rising bubbles, and then watch as glowing orbs of orange and yellow light align into the form of Roy’s body, moving toward us on Mars’s dusty surface. Through those natural elements, we see Roy reborn—a man formed not in the image of the father who left him, but in the water and sunlight that are vital for supporting life.
“You’ve alive. All this time. I must accept the fact that I never really knew you. Or am I you, being pulled down the same dark hole?” Roy considers, but every subsequent action, despite moving him physically closer to Clifford, separates our understanding of the two men. Roy tries to avoid violence in coming onboard the Cepheus, and although all three crew members are killed, he takes responsibility for his actions: “I boarded the Cepheus against mission directives. I did not do so with hostile intent. But because of my actions, I regret to inform you all crew members are now deceased. The flight recorder will tell the story. History will have to decide.” He makes clear that his primary goal is to “destroy the Lima Project in its entirety.” And during the 79-day journey from Mars to Neptune, he embarks on a sort of inward-gazing fever dream, a mélange of exhaustion, melancholia, and euphoria. He remembers his childhood, and the soothing comfort of his mother, and the wind turbines that dotted their land, and the productive energy they harnessed—so different from the Surge, and the possibility of planetary destruction. He watches a video from Eve, marveling at how openly she speaks of her love for him, and her frustration. He remembers the message he dictated to her before his trip, but then deleted (“I made a promise to always be truthful, but I wasn’t … I didn’t want you to go”), and berates himself for how he wronged her. He yearns for her forgiveness, and then rages that “Forgiveness is bullshit,” and then weeps. And through it all, Roy hears his father’s voice calling him, and haunting him. “When do we find all the intelligent life out there? And we know we will.” “I am free of your moral boundaries. I have total clarity.” “I know for certain I am doing God’s work.” Out there, in the unknown, did H. Clifford McBride become someone else? Or did he only abandon the artifice of who people wanted him to be? Those questions are impossible to answer, and yet Roy obsesses over them as he approaches Neptune: “All my life, I was terrified to confront him. I’m terrified even now. What do I expect? In the end, the son suffers the sins of the father.” But where there are sins, there can be absolution, too.
“Let me go, Roy.”
The reunion with his father, the one that Roy never expected to experience, is subdued, somber, and devastating. Clifford is not particularly surprised when Roy, whom he hasn’t seen for 29 years, appears onboard the Lima Project station. He had heard his son’s messages, after all, and understands the SpaceCom mission Roy has been given. He doesn’t ask whether Roy was affected by another Surge storm emanating from the Lima Project, although the navigation through Neptune’s rings nearly killed Roy. He doesn’t comment on the blood smeared on the station walls, or on the bodies—spinning in a macabre ballet in zero gravity—that Roy passes on his way to find his father.
The elder McBride is a man clinging to the edge of an idea, and nothing can dissuade him from it. “A captain always goes down with his ship,” Clifford says, and he will not return to Earth. Why return to a failed experiment? Clifford refuses to accept that no other intelligent life could exist in the universe. He will not abide by the suggestion that Earth, and Earth alone, is all we’ve got. “This is home,” he says of the Lima Project station, and his speech to Roy is an exercise in uncompromising zealousness:
“This is a one-way voyage, my son. You’re talking about Earth? There was never anything for me there. I never cared about you, your mother, or any of your small ideas. For 30 years, I’ve been breathing this air, eating this food, enduring these hardships and I never once thought about home. … I knew this would widow your mother and orphan you, but I found my destiny, so I abandoned my son. … I have infinite work to do.”
What else is there to really say? Roy’s “I know, Dad” captures so much: a lifetime of being made small, communicated in three words. But he refuses to compromise the tenderness he’s nurtured over this journey—the gentleness he’s waited years to offer his father. He helps Clifford put on his space suit. He not unkindly refuses Clifford’s insistence that Roy stay so they can work together. He presents the reality made plain from the Lima Project’s failure: “Now, we know we’re all we’ve got.” And when it comes time to embark back to the Cepheus together—when Clifford tries to yank Roy into space with him, and when Roy sees that his father will never acquiesce to leaving the great unknown behind, even as it has disappointed and defied him—he lets his father go.
A whole life spent in veneration and bitterness disappears in that moment. Roy watches Clifford float farther and farther away. As Roy spins, moving in and out of the illumination of Neptune’s rings, we see the sobs and screams being unleashed inside his helmet. Clifford was a hero, and then he was a ghost, and finally, he was just a man. Flesh and bone. Passion and fervor. And in the end, Roy notes, the creator and curator of a collection of research that was staggering and expansive, and never enough:
“He captured strange and distant worlds in greater detail than ever before. They were beautiful, magnificent, full of awe and wonder. But beneath their sublime surfaces, there was nothing. No love or hate. No light or dark. He could only see what was not there, and missed what was right in front of him.”
A striated planet, with layers of rock shaded milky cream and dusty burgundy. Another planet splattered in curves of jade and yellow, like dribbles of graffiti running down a wall. Another planet enveloped in a murky gas. Another planet icy blue, another planet volcanic red. All unique, and all the same: barren. A Freudian theorist would have a field day with a fatheson duo desperate to find life in deep space, who eventually realize that the fertility they crave was only made real in the planet they left behind. But Clifford’s surrender to the galaxy that refused him is, inadvertently but definitively, an act of kindness to his only child, perhaps the only one Roy ever received from his father. After Roy finally finds his authentic voice, the most healing opportunity he is offered is to listen, and to let his father go.
Once Clifford is enveloped by the stars he so loves, once Roy destroys the Lima Project and stops the Surge, once he uses his ingenuity and training to jettison himself through Neptune’s rings and back to the Cepheus, once Roy’s path back to Earth is programmed, the son breaks free of the orbit of the father. “I am looking forward to the day my solitude ends, and I’m home,” Roy affirms, and so the unknown of “Ad Astra” moves both away from the solar system Clifford spent his life exploring and that offers Earth no second chance, and away from the man Roy once was toward someone deciding to take a second chance on himself. The unknown now, the home that awaits Roy, is Earth, the planet he loathed in mimicry of his father. The loneliness of our existence finally makes real the preciousness of it.
When Earth appears outside of Roy McBride’s window, he smiles. “Look at it. The big blue marble. Never ceases to amaze me,” Pruitt had told Roy during their flight to the Moon, and that observation seems particularly poignant now. The green trees, the blue water, the wispy clouds: It is Roy’s privilege to see them again. People run to help him, the hatch door opens, and a hand extends inward. After a moment, Roy reaches back for it. In his final psychological evaluation, Roy’s adapted perception of our world persists: Commodified and flawed as Earth may be, it’s our only shot, and our responsibility is to embrace it and improve it. “I’m unsure of the future, but I’m not concerned. I will rely on those closest to me. And I will share their burdens, as they share mine. I will live and love.” As we listen to that proclamation, Roy drinks a cup of coffee in a café. He turns to the window. He sees Eve. And in that moment, he’s not H. Clifford McBride’s son. He is his own man, and his next journey awaits.
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2020.09.03 20:22 7Deadly5ins Free voyeur spycam

Doing a clearance sale because I retired from the high-end scene. I have loads of high-end products and even little unicorns waiting for you to be one of the future owners.
With everything you buy, I'll throw in some special treats for you with stuff & stickers I don't need anymore (even have a stabwood block for giveaway). If you want to, you can choose 3 non-sticker related items (I'll trow in a hand full of stickers anyway) from the picture. If you don't, you'll get random things. First come, first served.
SPECIAL OFFER: If you wanna have everything 1'000 USD!! Free shipping worldwide!! You get all the stuff from the giveaway!!
Shipping is done worldwide. Inland-shipping in Switzerland is free, worldwide would be only 10.- USD.
Only payings via PayPal will be accepted.
If you're interested, hit me up via PM.
Here's the list:
Armor Mods: Armor Mech Black Bundle 7/10 Mod, RRP €480.- Armor 2.0 RDA, RRP € 220.- Treasury Armor Leather Case, RRP € 160.- Smith's Leather Balm, € 8.- Looking for 750.- USD 400.- USD SOLD
Vulcan Designs: Voyeur 9/10 RRP € 450.- Looking for 420.- USD 250.- USD SOLD
A&D Mods: MAK1 "Lee Ash Tribute" 7/10 RRP € 320.- Looking for 260.- USD 150.- USD
CoreDesign: No Core Black Dragon Skin 6/10 RRP € 300.- Looking for 250.- USD 120.- USD
F3D: Purple Cer3al 9/10 RRP € 230.- Looking for 180.- USD 120.- USD SOLD
Daft Squonks: Phantohm Skull Purple 7/10 RRP € 200.- Looking for 150.- USD 100.- USD
LoudCloudMods: The Note 18350/650 Set Brushed SS 8/10 RRP € 140.- Looking for 120.- USD 80.- USD
Dee Design: Solo RDA 22mm 9/10 RRP € 120.- Looking for 100.- USD 70.- USD SOLD
67 Mods: One S RDA Bundle 10/10 RDA, RRP € 110.- Revolver Cap Set, RRP € 90.- Looking for 150.- USD 80.- USD
Taifun: GTR RTA, RRP € 150.- 8/10 Looking for 120.- USD 80.- USD SOLD
Haku: Venna RDA Bundle 8/10 RDA, RRP € 160.- Bultem Cap Set, RRP € 140.- Looking for 260.- USD 140.- USD
Daywon: Mission XV RDA Bundle 9/10 RDA, RRP € 100.- Daywon Black Delrin Cap, RRP € 40.- Looking for 100.- USD 60.- USD SOLD
DB Mods: Lord RTA 8/10 RRP € 200 Looking for 160.- USD 100.- USD SOLD
KMD Mods: Impact RDA 8/10 RRP € 115.- Looking for 90.- USD 65.- USD
Picture of the giveaway stuff
No splits on the bundles.
Rating of condition (I'm very strict):
10/10: Never used, perfect condition 9/10: Almost never used, no defects 8/10: Rarely used, slight signs of usage, well maintained 7/10: Few scratches or oxidations, best possible maintenance 4-6/10: Bigger scratches, lots of oxidation (with description of defects) 1-3/10: Damaged product (with description of defects)
submitted by 7Deadly5ins to ecigclassifieds [link] [comments]

2020.09.02 01:28 Kookabanus Free voyeur spycam

I witnessed this yesterday at my local supermarket. The memory still brings a warm glow to my evil black heart...
I have tightened up the dialogue to keep it short and humorous. There was a lot more of the usual bickering but I hope you will understand.
So I live in a rural area of northern Australia. The local town has a total of two supermarkets for general groceries. The next nearest place to shop is a further hours drive down the road. Generally people get along around here although I did have one run in before (link in comments because I can't work out how to do it here) at this place.
I was at the checkout with my favourite cashier (she is superbly fast and efficient at her job as well as being, in her own words, a total babe) putting my fortnights groceries through when I hear a raised voice at the far end of the checkout lines. The young lady serving me muttered something along the lines of "Oh god, here we go again, she's back".
I asked her what she meant and she informed me that the noisemaker was the local Karen, notorious for coming in and making a scene to get her way. The staff absolutely hated her.
Well Karen was in full swing and so I settled in for a bit of gargoyle style voyeurism to watch the show. She apparently had a bee in her bonnet about something not being stocked correctly, the sun being up too late or a staff member breathing air or something. Either way she demanded to SEE THE MANAGER! RIGHT NOW!
So the senior manager came out along with the floor manager. Both looking like they were completely done with this shit. The manager tried to greet her but couldn't even get a word in before Karen let fly with a tirade of abuse, demands and noise. Lots of noise.
To emphasize her point she swept an armload of groceries, not hers mind you, off the nearest checkout and onto the ground.
Things broke. Eggs, jam jars and similar. The owner who had only just purchased these things looked murderous. She was a middle aged lady with a small child at foot who looked absolutely done with life and I very much doubt could have afforded to replace what was lost. Being a good Aussie mum she began to wade in on the discussion with a view to breaking Karens face.
The rest of us shoppers were by now gathering around, this was getting good.
Unfortunately the floor manager intercepted her before she could make good on her promise and gathering by the hushed conversation I gather all losses were to be replaced. In the meanwhile the discussion between Karen and the senior manager was coming to a conclusion as the manager shouted "THAT IS ENOUGH, YOU WILL NOT COME IN HERE AND BULLY MY STAFF OR OTHER CUSTOMERS. YOU WILL PAY FOR THE GOODS YOU HAVE DAMAGED OR I WILL CALL THE POLICE AND MOST IMPORTANTLY, YOU...ARE...BANNED! NOW GET OUT!"
Karen: *snorts* "You can't ban me. That's illegal".
Crowd: "Oh no it's not". Lots of laughter.
Manager: "Well feel free to call your lawyer if you want to dispute things but until then GET OUT!"
Karen: Realizing she may be in the shit here. "But where will I go to shop then?"
Manager: "Go to the other place across town, I don't care but you are never coming in here again".
Karen: "But... but I can't go in there. I'm not allowed anymore..".
Absolute raucous laughter from the ring of shoppers. We are such a caring and compassionate lot... Even the young lady serving me had to cover her face as she, er coughed. Definitely not laughing I am sure.
So Karen bursts into tears because karma is a bitch best served hot. Gets escorted out by the managers. Hopefully we get to never see her again and she enjoys her hours drive to get groceries in future. I laughed all the way home.

TLDR: Queen bitch Karen pushes it too far for the final time. Gets permabanned. Cries.
submitted by Kookabanus to EntitledPeople [link] [comments]